Cultivating Creative Community
All by Judith Hougen
I find it heartening that in the face of incomprehensible loss, when life was stripped down to its most meager essentials, many entrusted their painful sojourn to an aesthetic creation. I can’t help but think that something within them believed that shaping their sorrow into art was indispensable, that it was precisely what their broken and wounded selves needed to find some semblance of home again.
In a time threaded with liminality, all I have to offer is my finite, fallible self, my defenseless skin, and I try to hold onto my capacity to be faithful to the inexhaustible opening of time and whatever glories or agonies attend it. I think about the coming months, this precarious stretch, my parents and my infamous traveling Crock-Pot, the urgencies of art, stacks of sentences that require me to wrap myself around silence and suffering and joy's quiet possibilities so closely that I recognize myself in every note of grandeur and desolation.
My work with words is anchored in a belief that an essential charity pervades a marred creation capable of lighting some small path of grace across the page. The world is beautiful and broken, and both need telling as we search for a wholeness in this life. There is a Hebrew phrase for what I’m describing: tikkun olam, which means to repair or fix the world — a call to humanity to collaborate with God in setting things right. Tikkun olam sums up the trajectory of the writer of faith’s vocation.
So we enter the swim of people, words, laughter, a table laden with desserts, the dusky scent of coffee steaming from the cup in my hand as familiar faces sift through the crowd. And amid the lovely clamor, I’m reminded that what we’re experiencing is something artists desperately need — this coming together, this connection. All art is a conversation. The artist of faith negotiates a rich and multifaceted dialogue with God, the work, and community.