All by Alissa Wilkinson

The squirreled-away baguette’s crust is so hard you can smack it on the counter and it won’t break. It is like a crouton — one big, long, stick of crouton. It has not bred worms and it does not stink, but you can’t eat it either. 

In your real life, you like to stock up, relying on your own ingenuity and foresight. Wince as you try to break the baguette one more time. Maybe right now you’re in Paris, dining while sitting down, saving butter for the morning, learning to count to five, but probably you’re just the same person, wherever you are, same fear, same neuroses, same old tired you.

Then, all at once: a miracle.

This is a lonely posture, but letting people in can hurt, bruise, bewilder. Looking into another's eyes and seeing myself there means encountering not just that person and their messes, but my own. It means I have to stare my own presence down and feel that pinch in my chest, that thickness in my throat. I have to face the former me because someone knew me then, knows me now, and if we both stick around, will know me in the future. That is love, and it is tricky.

To know someone else, to love someone else, is to lose myself a little.

Nobody seems to know where the foolish word came from — a portmanteau of breakfast and lunch, obviously, but we don’t say lupper or dunch. Someone claims a reporter for the New York Morning Sun coined it in the early twentieth century as a way to describe the way a morning newspaper man ate: frenzied, I suppose, too busy to eat breakfast.

I gave up breakfast a long time ago, when I realized it just makes me hungry for lunch hours too early, but I think that portmanteau-inventing reporter and I, teaching college freshmen to wrangle words in the early mornings, are kindred souls.