All by Charlie Peacock

Dirt, Chicken, and the Reimagined Rose

Jesus spoke of a way of rightful being and living with God, people, and place. He gave it a name that the people of the time would understand — the Kingdom of God, and then He turned their notions of kings and kingdoms upside down and inside out. His talk of the Kingdom was not a once for all, clear as a bell theological declaration. It is, however, a creative means to reorient, even reestablish, what it means to be God’s kind of fully human person. That is, a person alive to a healthy relationship with God, His people, the land and all that is in it.

Talking About God in Public

Out of belief comes life and all its attending stories. I have, over the last ten years deliberately chosen to keep some of these stories quieter or even private. Other than a few interviews and the occasional post here and there, I’ve required of myself what I’ve so often hoped for from others — a little reserve, maybe even silence. And so, on the topics of God, People, and Place — interdependent topics I’m very passionate about — I had gone mostly quiet.

Becoming a Songwriter, Part 3

Whether you believe you have a soul, a personality, or that you are a random blip in a succession of universes, within your person is the very you of you. I’m describing the you that is only you and no one else on the planet. You know you’re not me or your sister or brother. You are you. You have a mind and emotions that feel, think, and imagine. You have a body that has mobility and senses. You have a gender. You’re able to communicate in a number of ways — non-verbally through expressions, with language, with your whole body, and of course with music. Creativity, and specifically songwriting, ought to be the natural outworking of the whole person simply being what he or she is, human.

Becoming a Songwriter, Part 2

The power of place cannot be underestimated. This is why artists leave one place and move to another. The new place likely comes with a story—a story that tells the artist, “If you want to be a songwriter, this is the place to do it. This is the place that others have done the very thing you want to do. This is a place rich in stories — it’s a history-making place.” When young songwriters tell me they are moving to Nashville, it’s not because of the Tennessee Titans or our famous meat and three cuisine. 

Places, and the people that inhabit places, are never neutral in what they give birth to. People and place are meaning makers.

Becoming a Songwriter, Part 1

I think this is the way it must be. Every musical child born into the music of a people and place must also hear and see music done by others outside your immediate circle. There must be some heroic figure (and hopefully several) that inspire the young musical person to imagine himself or herself doing that thing, or something similar — essentially, making something. Saying in your energized imagination and will, “I want to make that. I will make that.”

Interview Series: MAKING — A Conversation with Carey Wallace

Art in all its forms is intimately connected with every aspect of all lives. We sing when people die. We dance when they get married. Even sports events and video games incorporate music, dance images, theater. The things I make are only my participation in that constant, unstoppable swirl of creation. This world is already beautiful and good. It’s just a question of where we choose to look.

Academy of the Observant Life

The irony of conversing with a stranger is that your individual lives always look very different and personal, but then you strip away the nuances to find a common likeness buried inside of diversity. Take away money and geography and we’re all just flesh and blood and soul. We’re all dealing with sin and forgiveness, love and hate, glory and shame. The big ideas remain. Life creates another day of history and the babies keep on coming. People dream their dreams. The young grasp at reinventing the wheel and the maturing masses learn to let go of such reinventions one breath at a time.

Preamble to an Odyssey

Too often when you reach the top of anything, a mountain or a career, you find yourself standing alone or with very few others. Attrition travels the length of the ascent. It may be that only the highly skilled and the very wounded make it to the top. The highly skilled arrive because they’re more prepared for success than anyone else in the world. The skilled-but-deeply-wounded arrive not because they’re so majestically prepared for success but because they cannot stop moving. Even the peak does not stop them. Space is their next frontier. Final frontier? Hardly.

Interview Series: MAKING — A Conversation with Bruce Herman

I dream of the world as sacred space — as a living cathedral. Man-made cathedrals merely echo the natural world with its soaring sequoias, canyons, oceans, mountain peaks. This world was made by a Maker who loves and enters the creation to know it from the inside. This Maker is not aggressive or possessive as we humans understand Him, but is rather hidden, loving, generous to a fault.

Interview Series: MAKING — A Conversation with Kim Thomas

I absolutely think that the history of frequent moves, adjusting, new people — all that affects my making today. It takes a lot of courage to be a maker of any kind. It requires many decisions, commitments, and lonely times in your head. The nomadic life built up my courage for new things and change, sort of immunized me to sameness, and made me invite the adventure of mystery and unknown.

Fun Facts About Art House America

. . . Sent co-founders Andi Ashworth and Charlie Peacock all over America for twenty years to speak on the core ideas behind an imaginative, creative life to Art House America advocates.

Heard U2 frontman Bono sing three verses of “They Will Know We Are Christians by Our Love” while sitting at the fireplace in 2002, after he encouraged a room full of artists to engage with the AIDS community and the extreme poverty emergency in Africa. . . .

Justice and the Pivotal Moment

History is watching. The story of how we are reacting to disease and extreme poverty and hunger is being written. How are you using your imaginative and creative abilities to tell a good story? Art is about making, but it is never better than when it accompanies a life well made. Set your compass toward living a seamless creative life where the full weight of your gifts are offered to the great needs of the world, from the need for beauty to the need for vaccines for the poorest children. This is the just and artful life.

Letter to a Young Musician

You've chosen a noble vocation. Or, perhaps music has chosen you? That's even better. An invitation is preferable to a cold call.

At all times and in all ways, you must relentlessly pursue success. That is, as long as success is defined as increased skill and ability, imagination, humility, generosity of spirit, good humor, gratitude, innovation, love, and empathy, and becoming more like Jesus, not less. Your life as a musician is an invitation to become one kind of person in the world and not another, while leaving the world a better place than when you first arrived. It is a unique calling to live a seamless, integrated, creative life before God and the world, cultivating and enjoying the gift of music. Take it seriously . . .

Namemaking, Weary Work for Whales and Men

When someone’s name is that pervasive you’ve got to ask, “Why?” What makes some personal fame timeless? What kind of spirit embeds itself in words and names to give them oomph? I’ve come to believe famous people come in two varieties: famous for all the right reasons like Jesus and Johnny Cash, and famous for all the wrong reasons like Joe the Plumber and John Sutter.

The Art House Dallas Song Project: a Recap and Reflection

For anyone who is serious about having a songwriting life inspired by Jesus, it’s time to deal with what He is interested in — everything. This means people seeking God in a more beautiful, faithful way of living which is holistic in scope — beyond pietism to a true rightness, the rightness revealed in the person of Jesus and all that concerns Him.

A Walking Contradiction, Part Two

I have a friend who wryly describes herself as a bad Buddhist. This makes me smile. I think of Dustin Hoffman’s character in the film Little Big Man and the many vocations he pursued over a lifetime: Caucasian Cherokee, drunk, gunslinger, muleskinner, liar, and more. With each one he describes his performance as horribly lacking. Can you hear the actor’s voice? I was a horrible drunk. I was a horrible liar. Well, I was a horrible Zen Buddhist.

A Walking Contradiction, Part One

My parents raised me for fourteen years. No more, no less. That may seem like an odd thing to say but it’s true. Some kids don’t get that much time. All you have to do is go to the grocery store or a fast food place to find out what I mean. Shifty eyes, mumbled grunts, manners in retreat, unclean hands, inability to count change. I’m grateful for the fourteen good years of proper parenting I had. Then Jack Kerouac took over. He was a lousy parent. As suburban shamans go, you couldn’t do better. Jack Kerouac, writer and former football star, was a game-changer.

Creative Community for the Common Good

A few weeks back I was privileged to sit with trustworthy friends and wrestle, yet again, to find the smallest, most potent words to describe what Art House means. This kind of exercise has played out many times in the last twenty years. We’ve been trying to put our vision into words since we first imagined the place and purpose that became The Art House home in Nashville, and our non-profit, Art House America. As we like to say, the name Art House designates place, while Art House America is an organizational title.

Hope in Haiti

In our little town of Nashville, the photographer Jeremy Cowart is something of a rock star.  I suspect his renown is growing all around the world.  When you consider that he’s made pictures of Sting, Imogen Heap, Carrie Underwood, Taylor Swift, Courtney Cox, Maggie Gyllenhaal, Ryan Seacrest, and traveled with Britney Spears in 2009 as her tour photographer, some fame and name recognition makes sense. 

My favorite project that Jeremy envisioned is one called Help Portrait.  Help Portrait is a world-wide movement stirring the hearts and hands of photographers to find someone in need, take their portrait, print it, and give it to them for free.